News, publishers, print and digital: an update

A couple of weeks ago I had a little rant about the three things I think publishers need to do if they want to thrive in a beyond-print era. The survival of news media is a big issue right now, and so it should be — the quality reportage of news is critical to the health of our society.

In the time since posting my argument, I’ve spotted a few new developments I think are worth sharing. Unsurprisingly, they all have a lot to do with content and the contradiction of digital content: expensive to produce (or at least, the good stuff often is) but more often than not, free to consume. Highly valuable, then, but cursed with a changeable value.

Revisioning an economy around forces like these isn’t going to be easy, but I believe it can be done. Here’s what’s happening, and why I think it matters.

pulp

The Mirror Group is cutting jobs

On July 10th, Trinity Mirror plc announced it was cutting 200 jobs — 140 of them full-time — from its three national titles. According to Richard Wallace, editor of the Daily Mirror,

Our future is a multimedia one and we need to transform ourselves into an agile media business, ready to grasp the opportunities and challenges of the multimedia world we now inhabit.

Our traditional skills and processes have to change to embrace the emerging platforms… We cannot continue to do what we we do in the way that we have always done it. We simply have to evolve.

I haven’t yet heard details on what Mirror Group Newspapers has in mind for the next phase of their evolution, but I commend Wallace for recognising that technology has changed — and continues to change — the publishing landscape, and for acknowledging that the only way forward for publishers is to evolve *with* the forces of technology.

AOL is hiring writers

AOL is also moving in a new direction: it has announced a massive change in content strategy, and David Eun, president of AOL’s media and studio division, is on a hiring binge:

Our mission at this company is to be the world’s largest producer of high-quality content… We are going to be the largest net hirer of journalists in the world next year.

Eun’s new strategy is to produce and sell as much high-quality content as possible. Content will be structured around 17 advertiser-targeted networks (finance, news, family, and so on). There is logic here: create the content consumers want; engage more consumers with this content and targeted ads; reap the ad revenue rewards. But are ad revenues enough? I’m not sold, and neither is Isaac.

The New York Times is going beta

The New York Times has revealed plans to launch a public beta testing site in July or August. Beta620 will be a sort of sandbox space where publishers can experiment with new approaches and services in a live environment with real users, but without rocking the boat — or impacting profits — over on NYTimes.com.

Beta620 will allow publishers to switch new things on — and off — quickly. It’s a super-agile (small ‘a’) approach that demonstrates long-term thinking and a refreshing lack of ego on behalf of the publishers.

Sure, building a whole new testing site is going to cost more in the short term (the old guard doesn’t like this); it also puts the publisher in a position where any mistakes will happen in public (the old guard *really* doesn’t like this). But with Beta620, The New York Times Media Group is making it very clear that it is no rigid, fail-averse, old guard brand. Technology is changing, and NYTimes.com is changing with it.

Rolling Stone pitted print against online… and got stung

After breaking what may turn out to be the story of the year — the General Stanley McChrystal insubordination expose — Rolling Stone stuck to the old ‘print before digital’ protocol and pretty much scooped itself.

Michael Hastings’s damning article, The Runaway General, features in the July 8-22 issue of Rolling Stone magazine, which means it went on sale from Friday 25th June. But as is per usual with a story this big, the publisher deliberately leaked the story to whet the public’s and wider press’s appetite (and drive print sales when the magazine hit newsstands on the 25th). And here’s where things started to go wrong…

Chumming the water worked in a print-only, non-conversational news environment. But today, when everyone’s a blogger? Hell, no. This story was too big to schedule. Everyone was talking about it except Rolling Stone, which refused to put the piece online early. Result: a feeding frenzy on The Huffington Post, Salon.com and all sorts of other news channels, but nothing on Rolling Stone itself until as scheduled on the Friday, by which point the naughty general had already been sacked by President Obama.

The Guardian’s Emily Bell summed up the situation perfectly:

The magazine’s story management prompted media analysts to wonder if nothing had changed for the publication in the past 40 years. Although the ownership of the scoop was clear, its rapid dissemination around the web after Rolling Stone had “teased” news outlets with advance copies left the publisher out of the conversation it had provoked.

It was one hell of a fail for Rolling Stone. For the countercultural touchstone to impact government policy to the point that the President actually fires a senior general was a huge win… but for the publication to concurrently bar itself from its own party — on the grounds of what, tradition? — was just bizarre.

Here’s what the magazine should have done: break the rules with the story. Put it online early, and if it’s not too late, supplement the print edition with some peripheral content so the print magazine still offers readers something the digital version doesn’t. Can’t do that? Then do everything you can to maximise digital revenue on the three or four days site traffic busts through the stratosphere. Subscription tie-ins, conversations with users about what they really want from the site, even (dare I say it?) banner ads… make the most of that traffic and give them a reason to come back.

Final comment

This isn’t just about different ways of getting information, or redesigns of websites and print publications, or hirings and firings. It’s about the passage of information around our society. The survival of news publishers is relevant to all of us, and personally very important to me. I want to live in a world with a surplus of high-quality news, opinion and comment. How publishers embrace, adapt to or reject changing technologies will determine whether this happens.

I sort of feel like I’m watching something enormous crash into the sea, and I’m hoping something amazing emerges from the wreckage.

Photo: A worker mixing pulp at the pulp and paper mill, courtesy of the State Library and Archives of Florida under a Creative Commons licence

4 comments

Author: Isaac Pinnock Isaac Pinnock

Excellent update Sara. Two things I’d like to add:

Apple’s Safari 5 Reader functionality that allows users to read a complete article without any of the distracting bumf that publishers seem intent on bombarding us with online. Nick Fletcher sums up the debate well here: http://nikf.org/post/681542046/on-this-safari-5-reader-hysteria. His last line, on the reaction of publishers to this new functionality that can improve the reading experience online, is particularly worth noting:

http://nikf.org/post/681542046/on-this-safari-5-reader-hysteria

Perhaps instead of flamebait posts of ‘Apple are out to get us’ media companies should be asking themselves ‘how did reading content online become so sucky’?


And from a completely different tack, check out the new content pages at msnbc.com: http://www.msnbc.msn.com/id/37643077. In recognising just how ‘sucky’ their old pages were they’ve definitely raised the bar for publishers everywhere. Mike Davidson also raises the interesting point: this redesign removes pageviews as a primary metric: http://www.mikeindustries.com/blog/archive/2010/06/another-nail-in-the-pageview-coffin


http://www.msnbc.msn.com/id/37643077
http://www.mikeindustries.com/blog/archive/2010/06/another-nail-in-the-pageview-coffin

From a usability perspective this is particularly interesting: for years as a designer I’ve faced an internal struggle: wanting to balance the needs of the user (more content on one page) against the needs of the publisher to spread content over as many pages as possible (to get as many ad impressions as possible). MSNBC seem to have done something completely different here.

Author: Sara Williams saradotdub

Thanks for the comment Isaac. Great links, really sound ideas.

I just read Fletcher’s post and I like his line of thinking: publishers should focus on making the experience of being on their sites enjoyable AND profitable.

The old ad revenue model has been shoehorned into designs for too long. There’s enough content out there that people can and will go elsewhere if they don’t like what’s happening chez vous — to assume they won’t and cram ads down users’ throats at all costs is short-sighted, indeed… or at least should be, now that we have the technology to change.

FLetcher is right: reading content online has become sucky, and it shouldn’t be anymore. The technology is out there to make it wonderful… what we need now is some really divergent thinking to make it profitable, too.

I think there’s a lot to the Mike Industries comment about a correlation between user enjoyment and time on site. Maybe this is the metric publishers need to start thinking about. The ad-impressions-at-any-cost edict seems more dated by the minute. Surely there is a better way of monetising engagement… anyone?

Author: Artas Bartas Artas Bartas

A very interesting article, Sara. I was also wondering what do you make out of Yahoo’s acquisition of Associate Content, rapid growth of Demand Media or Forbes decision to crowdsource its content (Paul Carr has some excellent comments on this one http://techcrunch.com/2010/06/14/vox-populi-vox-forbes/).

http://techcrunch.com/2010/06/14/vox-populi-vox-forbes/)

In my view, all of the aforementioned companies tend to embody the other side of technological evolution – the digital sweatshop, where people slave away producing low quality content for meager income. And that too is a part of a new publishing landscape. Some voices even go as far as to claim that this IS the new publishing landscape :)


Still, I would like to think that future will be built on the examples you mentioned :)

Author: Sara Williams saradotdub

Hi Artas, thanks for your comment — it’s really great to get some thoughtful feedback on all this stuff.

As for your question, well, in my opinion, Yahoo!’s acquisition of Associated Content is a bit odd. I think the move is evidence of a determination to prioritise content in the way AOL is doing, but as pointed out in a May TechCrunch post (http://techcrunch.com/2010/05/18/yahoo-associated-content/), Associated Content isn’t a brand known for quality content, whereas in its heyday, Yahoo! was known as such. The move seems a bit desperate to me, especially as AC was for sale for so long beforehand. Time will tell whether the play further dilutes Yahoo!’s offering or vaults them ahead of the pack. My guess is the former.

http://techcrunch.com/2010/05/18/yahoo-associated-content/

As for the rapid growth of Demand Media and Forbes’s recent declaration of intent to crowdsource content, I think they both stem from the same trend, which is a move to value quantity over quality of content. I’m wading into ethically problematic waters here, but I don’t agree that news is what you order up to watch or listen to, a la some kind of restaurant. That’s just too much like the tail wagging the dog and it could prove very damaging to our society as we tune out more and more of what we just don’t want to read about. On-demand content tends to blur the distinction between news and entertainment, and I don’t think that’s a very good thing.


Forbes’s new editor’s decision to crowdsource content — so to become a curator of good, bad and mediocre content rather than a creator of good content — seems to me to be a foolish one (see Paul Carr’s position against here http://techcrunch.com/2010/06/14/vox-populi-vox-forbes/). I can’t see what would draw users to the publication without any original content (and it is not clear to me how much original content will still be produced — it seems none but surely that is not the case?!). Rather than jettisoning every possible cost in order to stay afloat, why didn’t the publishers ask what they could do to become more relevant and compel more people to pay for their publication? The Economist and Vanity Fair are making money right now. It’s not impossible.


http://techcrunch.com/2010/06/14/vox-populi-vox-forbes/)

As you say, there is a digital sweatshop model — great term — and a lot of publications are moving that way, but for many, especially those that have built their brands on being an authority on their respective subject(s), it is a false economy. This digital sweatshop, content farm, quantity over quality model won’t last forever and it won’t be the only form of journalism before us in two years time. I have to believe that we need quality news and comment, and I also believe there is money to be made in producing it. There are consumers and there are consumers. There is an economy there… it’s just a little out of whack at the moment.


Caveat, of course, that this is all my opinion, and other opinions are more than welcome.